🎰 Casino Royale () - Plot Summary - IMDb

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Secret Service intelligence reveals that Le Chiffre is planning to raise money in a high-stakes poker game in Montenegro at Le Casino Royale. MI6 assigns


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Casino Royale is a spy film, the twenty-first in the Eon Productions James Bond series, The plot has Bond on an assignment to bankrupt terrorist financier Le Chiffre in a high-stakes poker game at the Casino Royale in Montenegro; The main Italian location was Venice, where the majority of the film's ending is set​.


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The plot is mainly surrounding a high stakes poker game in Montenegro, led by Le Chiffre (Mikkelsen), who plans to use the winning funds to.


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Casino Royale is a spy film, the twenty-first in the Eon Productions James Bond series, The plot has Bond on an assignment to bankrupt terrorist financier Le Chiffre in a high-stakes poker game at the Casino Royale in Montenegro; The main Italian location was Venice, where the majority of the film's ending is set​.


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This Casino Royale movie review provides our rating for the movie, and why. Also included is a summary of the movie from beginning to end. This action-​packed.


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The plot is mainly surrounding a high stakes poker game in Montenegro, led by Le Chiffre (Mikkelsen), who plans to use the winning funds to.


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Daniel Craig took over as James Bond in Casino Royale. It was very Either I'm being dumb or the plot isn't adequately explained. I know.


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This Casino Royale movie review provides our rating for the movie, and why. Also included is a summary of the movie from beginning to end. This action-​packed.


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Plot Summary. Casino Royale, an action thriller, takes place around the same time period as it was written, summer in the mid's. After he achieves his.


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This Casino Royale movie review provides our rating for the movie, and why. Also included is a summary of the movie from beginning to end. This action-​packed.


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Sharp yet fragile, intelligent but capable of serious misjudgement and a sucker for a necklace. A battle of wills. As a moderately keen player I appreciate the lunacy of the hands without getting overly aggravated β€” as some of my more serious poker playing friends do. Spiritually the last twenty minutes of Casino Royale are in fact the first twenty of Quantum Of Solace.{/INSERTKEYS}{/PARAGRAPH} But enter Mr White and exit Le Chiffre. But then what about the shower cuddle…? The contrast with Bond is wonderful: I love the bit where Foucan acrobatically slips through a gap in a wall Bond promptly bulldozes with his body. Felix accomplishes this trick. My theory? Get the best of Den of Geek delivered right to your inbox! Amid all the action, my favourite two moments keep quiet. Never even blinks. In many ways Casino Royale is a love story; all that poker stuff is just good filler. It feels a little jarring: a piece of the previous film colliding into this one. But of course Vesper must be exposed so on we plod to Venice. His rivalry with Bond perfectly complements the Vesper romance. But the odds of that hand are ludicrously long. But the permutations give me much joy and I wanted to share it. Gorgeous, gorgeous scene from everybody: actors, writers, director, even the guy who made the chair. And nobody but Bond has ever noticed this before now. Not only does it mimic the book but the Le Chiffre storyline is done, the game is over. Without question theirs is the truest relationship of the series. How exactly are Quantum using her? Superhuman frequently but rarely heroic; being infallible means you rarely need to be brave. Vesper sure sussed it quickly β€” must teach you all sorts on accountancy courses. Daniel Craig? Very nearly the best James Bond movie of them all. Flirting with fangs, so to speak. Yet the dramatic tension is lost; the climax has come and gone. Like its star, the pre-credits is all sparse confidence and sinew. But the chase should end atop the crane. This must be so. Does the Casino Royale not have any security cameras? Mads Mikkelsen has the Christopher Walken that guy just looks bad. Hence the effect is less beginning, middle, end, more Film 1, Film 2, Film 3. But faced with certain death he never falters. It works brilliantly in establishing Craig as impossibly tough and implacable β€” two red lights shine behind his eyes. Two desperate men with nothing to lose. Craig is wonderful from his first line but the smile marks the moment he utterly takes ownership of the character. Building the entire film around one card game is a masterstroke: the simplicity of the premise allows room for the Bond legend to grow. He reached the last two β€” and his subsequent career proves Bond would have been well within his capabilities, perhaps even then. The rest of the film is comfortably strong enough to rise above this steep decline but the crown of Best Bond Ever is lost. Watching him leap and slide around the building site is a sight of mesmeric beauty. Before we get stuck in, let me share a theory. It is impossible to imagine any other Vesper than Eva Green. Suffice to say I bet a lot of people felt very, very silly when Casino Royale was released. The embassy should never be reached. For one of the great heroes of cinema, Bond is rarely heroic. The brilliance of the poker lies in the simplicity of the set-up. Umpteen moments of inspiration clamor for attention; Bond inventing the Vesper Martini is a personal favorite. One sympathizes. The second section of Casino Royale is quite possibly the best Bond film ever made. I should stress, none of the above is a critique. Starkly, almost cruelly handsome, a milky blind eye and a gaze colder than midnight frost β€” he plays Le Chiffre as a human shark. I love the jarring white of the toilet as Bond downs his salt: very trippy. Those reviews must have been sweet. The interspersed toilet fight pads out the scene and introduces the brute force of the new Bond. Only one hand on the entire board could beat him: four jacks, which of course Le Chiffre has. Coherence is replaced by confusion; as yet unseen characters suddenly take center stage. From the shot of the train snaking through the forest to Le Chiffre falling lifeless to the floor, the quality is so high you practically get vertigo. Miami airport slips down nicely. But here the film is right and I am wrong. An instant classic of its kind. The most wince-inducing use of a rope ever depicted on screen. Was such a reaction common or was my cinema just dirty minded? The poisoning incident, however, is very good. Have Bond throw the bugger off. Each reaches their own mini-climax, each is essentially self-contained; only Bond, and later Vesper, figure prominently in any two. How Bond could to forget to plug in the defibrillator. The parkour chase, like much of what is good about Casino Royale including the film as a whole , overstays its welcome. Onto the Bahamas. Is she the one who warns Le Chiffre about the tell? Somewhere in the confusion Casino Royale stops and we start watching Quantum Of Solace without realizing it. How does he even know Bond suspects Mathis? Gradually the legend builds itself around you. Presumably she was too soft-hearted to follow her mission and let the unhelpful agent die. No need to grandstand β€” just watch us work. Slightly smutty but amusing tangent on the aborted tryst of Bond and Solange. Her first encounter with Bond is exquisite, the pair playfully trading barbs over dinner. The final section, Venice , completely drops the ball. {PARAGRAPH}{INSERTKEYS}This one? Good hypothetical: what if year-old Henry Cavill got the nod? Her casino entrance in the purple dress, his cradling of her in the shower β€” everything is shown, not told. Little actually happens; Bond surprises a double agent in his office, a few words are exchanged, and then the traitor is abruptly executed. Tough business, this screenwriting lark. Admire your balls sir. Two desperate men going head to head in what is essentially a battle to the death. And the highly amusing commentary from MI6 Casino Royale is much funnier than many people credit. Lying atop Bond on the floor, I remember the whole cinema stiffening as she descended towards his groin and out of shot. The black and white opening is a masterstroke; immediately dragging the audience into uncharted territory. Ad β€” content continues below. Especially when he takes a second to kill the one unarmed man in the place. The quality and indeed the fabric of these three sections vary remarkably. So many wonderful moments at the casino. I refuse to accept Bond can outdraw a courtyard of nervous armed soldiers, all of whom are aiming directly at him. Is it massively coincidental that Dimitros happens to text the terrorist in the carpark Bond uses the timestamp to identify his quarry via security camera or have I missed something? Remarkable: most Bonds require a film to get comfortable. His snivelling before the angry African dictator is refreshing for a villain, although I admit I prefer my baddies to have a bit more bottle. He seems pretty confident for a man facing an overcard.